This installment is a twofer. During the second day of recording nickname: Rebel’s New Rock Church of Fire record (still working on it folks), I tried an experiment to loosen everyone up. Inspired by a session that Brown Cuts Neighbors had done for WRPI radio in Troy where, either the mics were cranked way up or the headphones in the studio were, so that every little movement or sound was incredibly loud, we tried the same sort of thing in a planned situation. I had a day of down-time in the studio (The old DeptEx/Magic Recording Eye studio of Jason Martin’s at 51 3rd St. in Troy) and scrounged the local Salvation Army and a couple hardware stores, and built a rotary saw cymbal stand (inspired by a similar rig of Steven Cerio’s and not uncommon in jazz circles) and a pair of bass springs (stretched out springs attached to a 2×4, amplified with either a guitar pickup or contact mic; inspired not just a little by Einsturzende Neubauten). So… Scott Smallwood, Aaron Smith and myself (and possibly Peter Barvoets?), recorded by Jason Martin, who had been instructed to crank everything as loud as it would go, consequences be damned, strolled into the studio (part of the composition as planned) and delicately touched and maneuvered the various implements of destruction. Various pianos, organs, electric razors, rebar, railroad spikes, walkie talkies and other detritus were also employed. Remember, it was not very loud in the room (and it was a very large room). A brief excerpt follows.
OK. After seven days of February and just three posts, it is obvious that the gear blog will not be an everyday this month feature; but, I will try to keep it as a regular–once or twice a week-thing as long as the need is there.